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An enduring classic since its publication in 1970, Mastering Witchcraft is one of the best how-to manuals for those wishing to practice traditional European Witchcraft as a craft rather than a New Age religion. Starting from first principles, Huson instructs the novice step by step in the arts of circle casting, blessing and banning, the uses of amulets and talismans, philters, divination, necromancy, waxen images, knots, fascination, conjuration, magical familiars, spells to arouse passion or lust, attain vengeance, and of course, counter-spells to exorcize and annul the malice of others."A genuine vade mecum."-The Catholic Herald.
- Sales Rank: #896926 in Books
- Published on: 1970-01
- Ingredients: Example Ingredients
- Binding: Hardcover
- 254 pages
About the Author
Born in England, Paul Huson received occult training from the Society of the Inner Light and the Order of the Stella Matutina. He has authored Mystical Origins of the Tarot, The Devil?s Picturebook, Mastering Herbalism, How to Test and Develop Your ESP, The Coffee Table Book of Witchcraft and Demonology, and two fiction works, The Keepsake, and The Offering.
Most helpful customer reviews
50 of 51 people found the following review helpful.
A True Classic
By Ashleigh Mitchell
For most of the past four decades, Paul Huson's seminal work "Mastering Witchcraft" has remained in print. That alone should be a testament to its worth on the subject of witchcraft. An early reviewer in the 1970s called it a "genuine vade mecum" (do it yourself guide). The reviewer? Catholic Weekly.
From the opening pages to the resources and bibliography, this book contains much to set your mind thinking and your magic brewing.
Yes, parts of it are dated somewhat (the recitation of "the Lord's Prayer" backwards as a breaking ceremony has fallen much out of use to my knowledge, but back then it was fairly common) and the book is very much Not Politically Correct, which is just fine with me!
It is my firm belief that without this book, it is unlikely that we would have other fine texts such as those by Mike Howard, Nigel Jackson, and others who write on the subject of traditionalist witchcraft.
If you are looking for yet another Wicca 101 book, head over to the Big Ll Publishing Company and find the latest by Ravenwolf. If you are looking for something with substance, you will likely not find anything better than this to begin with.
62 of 66 people found the following review helpful.
A Classic Exposition of Mediaeval Sorcery
By Nigel Jackson
Paul Huson, artist, actor, novelist, screenwriter and authority on Tarot and Mediaeval Magic originally wrote this book in 1969 and it has since established itself as a highly-regarded 'classic' in the field: it is not difficult to see why.
Firstly it is an exposition of Witchcraft in the purely pre-modern sense of that word, as a Craft (Anglo-Saxon 'Craeft' -'Power, Skill, Force') and he comprehensively expounds the technical knowledge and applied methods by which this innate 'Power' can be methodically tapped and projected by the Witch or Warlock for various pragmatic ends. In other words the term Witchcraft here is used in the same archaic sense as one would find it used in say the 17th century astrological works of William Lilly or William Ramesey when they say that the 12th House of the Chart is the 'House of Witchcraft' - they were not referring to a wiccan-style cult or alternative religion but quite simply meant the exercise of magical power to 'bewitch'. It is in this original and authentic sense that Paul Huson's book is a genuine manual of 'Witchcraft', putting aside the modern meanings which have become attached to that word.
The author presents an immensely skilful synthesis of magical lore and techniques from the traditional Magic of the Middle Ages and imparts a very workable body of spells, invocations, astrological herblore, incenses, philtres and image-magic: he draws upon and weaves together elements from the Solomonic cycle of grimoires, the teachings of Cornelius Agrippa, the 'enlinking' techniques using archetypal images used by Giordano Bruno, the use of Cabalistic kamea in arithmantic invocations etc. For example the invocation to Saturn in the chapter on binding magic is actually a translation/adaptation of the 'Magical Oration to Saturn' from the mediaeval Moorish text the Picatrix(Ghayat-al-Hakim). He blends these learned Hermetic-Cabalistic-Astrological esoteric currents with the rural myhthos of country folk-magic in old England. This is acheived in a way which is both authentic and effective. Indeed Traditional Magic is not subject to contemporary notions of 'progress' or 'improvement': the 'Invincible Magical Discipline' as Agrippa terms it, is timeless, always characterised by a tenacious conservatism and adherence to paradigmatic forms and Paul Huson's book accordingly delivers magical lore which is substantially pre-modern and traditional in flavour.
Yet another minor strain discernable in this book is that of Hoodoo, as seen in the use of certain substances found usually in 'Rootworking' and the creation of sachets which are themselves basically the Mojo Hands or Pacquet Kongo used in Vodoun, derived from the Nkisi of Kongo Magic. Such is the author's consummate skill these cultural elements are harmoniously blended into the brew in a very effective manner.
Furthermore the author's 'voice' throughout is very enjoyable to follow and the book is a great read, lively and expressed throughout with intelligence, stylistic panache and humour.It contains many fine illustrations in an atmospheric woodcut-like style which add a great deal to the text.
In many ways this book was several decades ahead of it's time - it prefigured the contemporary return to authentic mediaeval and renaissance magical lore and technique and provides the reader with a great deal of stimulating and potent material to engage practically. Here is revealed in full detail the true Way of the Warlock for those intrepid souls who would dare penetrate the twilit demesne of mediaeval sorcery and attain to Nigromantic mastery of the Black Art. This essential book contains a wealth of material which will be invaluable to the magical practitioner at any stage of development and is greatly to be recommended.
53 of 56 people found the following review helpful.
THE BEST WITCHCRAFT BOOK - EVER!! HANDS DOWN!!
By S. Feldman
I see a lot of debate here about "Mastering Witchcraft". That alone is good, because the more homogenized I see Wicca get, the farther I distance myself from it. I own a metaphysical store and give tarot readings for a living. I've been a high priest for over 20 years. This was the first book on witchcraft I ever read, and nothing since even compares to it. Yes, there are flaws - and you have to consider the time in which it was written. The late 60's. People did not have to be politically correct then, and they weren't. Paul Huson took the best information he had, and in step with his times, he presented it in a better way than anyone has since. It is a little arrogant sometimes. He doesn't back away from the dark side of magick or pretend it doesn't exist like a lot of Wiccan writers that followed him. Huson is not writing about Wicca, he is writing about practicing a craft that may or may not be attached to a religion, a crede, or a system of morals. I am not a child. I don't need my magickal instruction sugar-coated. His version of the symbology is used by almost every witch and Wiccan to this day, even thse who decry his "amorality". Huson has done a lot since. "Mastering Herbalism" is one of the best herbals out there - and he has a book on ESP, two books on the Tarot, and a good horror novel from 1979. As far as I know he's still alive. In the years following his books, he did a lot of producing and writing for television. "Family" with Kristy McNichol, et. al, and "James at 15" in the late 70's, "The Colby's" in the 80's (a spin off of "Dynasty"). The man is quite prolific and diverse in his talents...I am glad that someone put together what he did, when he did it because there's nothing like it now. He has compiled more solid, and yes - amoral - information in 256 pages than most people can do in a thousand.
Every practitioner of magick should have this book in a treasured place on their shelf. Learn from it, take what you like, reject what you don't, and enjoy the read and the concise reference.
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